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  • 4 Future Box Office Giants

    4BoxOfficeGiants

    Every year I compile a list of film releases that I’m looking forward to seeing. So this is a mere interlude (I’ll still write the 2014 list either at the end of this year, or early next year), but I felt compelled to write it since there have been some major announcements for franchises that I enjoy, many of them remakes that I’m curious to see the modern interpretations thereof.

    These movies are also sure to be box office smash-hits, given that they’re from existing (and successful) franchises. Whether they’re going to be cinematic masterpieces (highly doubtful in this realm of popcorn cinema) doesn’t matter: because they’re going to be damn fun to watch. I can’t wait.

    Batman vs. Superman, or Man of Steel II

    Starring Ben Affleck (aka Batfleck). ’nuff said. Also, it’s going to be the first time Batman and Superman share screen time together. I’m not expecting  Christopher Nolan-eque quality here, but I did enjoy Man of Steel and a sequel is much appreciated from this blogger.

    Jurassic World

    I’ll admit I was terrified of those CGI dinosaurs in Jurassic Park. But I was just a kid then. And the news that a new film in this franchise is under way is great news; it gives me a reason to re-watch the old ones (and marvel at how far we’ve come in CGI tech… and how inaccurate our ideas of dinosaurs were back then. Granted, they still won’t be 100% scientifically accurate in Jurassic World, but they’re sure to be 100% better animated this time round).

    Star Wars Episode 7

    Probably the most-contested film on this list, Star Wars Episode VII will be the first film produced under the Disney banner, without Lucas directing. There’s so much that could go wrong here (and as the picture above notes, “It’s a Mouse Trap”). But there’s also a lot to look forward to: J J Abrams, director of the reboot of Star Trek is, in my opinion, a good choice – as long as he lays off the lens flares. Lucasfilm is still involved (albeit with heavy steering from Disney this time), and hey – more Star Wars! That’s a good thing, right? I recently read that they’ve chosen to film it on 35mm film, and use physical models in lieu of CGI, in attempts to keep this sequel trilogy as visually consistent with the original trilogy. That’s a bold decision, but one I’m sure many fans will welcome after the smorgasbord of wham-pow! effects in the prequels. Whatever transpires, one thing is certain: this particular Star Wars film will be one of the biggest releases of 2015.

    Godzilla

    The kaiju to end all kaijus is coming back. And this time it’s set to be even better: this film will tell the origin story of the famous monster as a “terrifying force of nature.” Set to release on May 16, 2014, we can be sure to expect spectacular CGI. According to Legendary Pictures:  “An epic rebirth to Toho’s iconic Godzilla, this spectacular adventure, from Warner Bros. Pictures and Legendary Pictures, pits the world’s most famous monster hero against malevolent creatures who, bolstered by humanity’s scientific arrogance, threaten our very existence.” Sounds like fun.

    So those are the films I’m really looking forward to in the long run. Be sure to check out my “2014 in Film” list, which I’ll post on Pixelated Thinking around December 2013/January 2014.


  • What is innovation, really?

    innovate [verb]

    make changes in something established, especially by introducing new methods, ideas, or products.

    In today’s fast-paced world, the question of innovation arises frequently whenever a tech company releases a new product. It’s discussed more often when that tech company is none other than Apple, once considered the “most innovative company” under the leadership of Steve Jobs.

    When Apple announced the iPhone 5s, the argument for their lack of innovation and simply just releasing iterative products was at its strongest. The parallel was drawn between 1 Infinite Loop and their fiercest new competitor, Samsung. In the case of Samsung, it’s argued that their products seem more innovative because of all the new features packed into their latest devices. In other words, more is better – not an altogether incorrect assumption, but in terms of innovation… that remains to be understood.

    This reasoning has got me thinking about what we consider “innovation” to mean in a world saturated by new products, a world where discourse is accelerated by the power of the World Wide Web, a world where the exponential increase in technology drives economies and mass-desire for the next big thing.

    When Steve Jobs shepherded Apple out of their dark ages with the colourful iMac, he was regarded amongst the great businessmen and inventors of recent history – Thomas Edison, Nikola Tesla, Henry Ford. That original iMac brought something truly unexpected to the computing world: fun. It brought computers to life; its bold design decisions – made by the formidable designer Jony Ive – diverged from the existing conceptions of what computer design constituted. It was innovative in the field of industrial design by its very nature of being different, of being bold and new.

    When John F. Kennedy chose to “go to the moon […] and do the other things, not because they are easy, but because they are hard,” thousands of NASA engineers embarked upon one of the most daring projects ever – to design a spacecraft that could safely land man on the moon, and fulfil our unending quest to explore, to go beyond, to seek new frontiers. They innovated in the field of science, discovering countless new things that have spilled-over into general use.

    Nikola Tesla is perhaps history’s unluckiest innovator – under the shadow of Edison, his inventions went largely unseen or appreciated. For example, he’s the father of radio, yet many consider Guglielmo Marconi to be the actual inventor.

    “I don’t care that they stole my idea . . I care that they don’t have any of their own.”
    ― Nikola Tesla

    Yet Tesla persevered, because he was so invested in his ideas, so driven by his passion to create and discover and test new ideas, rather than be forced to succumb to the whim of the general public and abandon his work.

    His name has inspired Elon Musk’s innovative attempts, namely Tesla Motors. His work there is changing the way we understand something intrinsic to modern living: the car. Musk is daring to make the electric motor car a viable and stylish alternative to the environmentally damaging internal-combustion engine vehicle. Musk isn’t worried about social convention; he’s going against it to create something new, something daring.

    I could list a hundred more examples of innovators daring to change the world with significantly new ways of thinking, but I think you get the point: to innovate means to diverge from what is the established path, it’s to explore, to test, to try new things and go beyond what everyone else feels is the convention. And in doing so, it results in the creation of something meaningful. This doesn’t mean piling more features onto an existing product – that is actually iterative design, not innovative design.

    The word “innovation” has become saturated over the years with our misconception of it meaning “more features.” It’s driven by our desire to want more, because more is supposedly better. It’s a mass-consumerist ideology that has permeated today’s societies. The true nature of innovation has been lost. It’s lucky that we have people like Elon Musk who still believe in its original intention.

    Instead of focussing on wanting more, we should become more discerning about what it is we desire. Are more features packed into a product – many of which you probably won’t want to use more than once – really what you want? Or is it the attention to every facet of a product’s design, every little detail, whilst adding just those features that will add value and meaning to your interaction with the product, a more compelling alternative?

    This is indeed a compelling age to be living in, as the very idea of what it means to innovate is being challenged by both bold ideas and new steps forward, and the marketing-driven feature-piling approach of many tech companies. Perhaps there will never be a final definition, as our desire to explore and create will constantly force this notion in new directions.


  • iPhone 5C: Apple’s Second Renaissance

    We all knew there would be an iPhone 5C. If the copious amounts of part leaks and even full design photos weren’t enough confirmation, then at least the fact that Apple’s significant challenge in facing-off the onslaught of cheaper, plastic Android models was a defining factor in creating just such a product.

    iPhone 5C (or is it spelt “iPhone 5c…?) is, in my opinion, a refreshing take on the mobile phone design that defined this generation’s idea of what a phone should be. It’s fun, vibrant and clearly aimed at a more youthful audience – factors that make it perfectly positioned to attack the Android and Windows Phone (in the guise of the Nokia Lumia range) charge. Its price point still leaves much to be desired – at one point, $199 to be exact – it overlaps with the low-end iPhone 5s model. This ambiguity, and the fact that it actually costs $549 unlocked, means that Apple’s lower-cost phone isn’t actually that cheaper, but it’s certainly the more economical option for those wanting an iPhone but not willing to shell out for the more premium incarnation.

    The Apple Renaissance

    imac5

    One of the turning points in Apple’s history was Steve Jobs’s return, and the creation of the plastic iMac, designed by famed Apple designer Jony Ive.

    This design breathed new life into the tired, beige-hued look of computing, and spawned many copies, even transcending the computing industry into other products like staplers and cooking utensils. It was iconic, and extremely successful. And it was made of plastic, a material that often takes a lot of flack for being perceived as “cheap” and environmentally un-friendly.

    That early iMac design marked a renaissance for Apple that was closely followed by the iPod and iBook. But soon Apple began to produce its distinct minimalist designs, forgoing plastic for sleek aluminium and glass. Which I, along with many others, have loved ever since. It is classy, stylish and durable – far more so than plastic.

    This design language has, however, become quite predictable. That is why I call the introduction of the iPhone 5c a second renaissance for the Cupertino giant. It adds a new take to the iPhone design, and alludes to that earlier time in Apple’s history when things were very uncertain (as they are right now, with the competition catching up and even surpassing them in many ways), and there was a definite need to shake things up. Then, and now, Apple chose to do this through the medium of design and not other strategies. Being a firm believer that through design they could build a rock-solid business strategy, Apple has hinged their hopes of regaining mobile dominance with this very product.

    As a second renaissance, the iPhone 5c represents a completely new framework of thinking at Apple: one that began with the flatter design of iOS 7 and which continues with the reintroduction of steel-reenforced polycarbonate iPhones that are colourful and in stark contrast to the more elegant and subtle iPhone 5S. The 5c now panders to new audiences, tries to hold on to audiences that are growing up, and adds a sense of fun to the product line in the same way that the iPod mini reinvigorated its product family. Apple’s new design language is going to be interesting to follow as it slowly unfolds across both its software and hardware, under the watchful eye of Sir Jony Ive.

    Just this week Apple moved ahead the process of getting the iPhone sold with China Mobile, the world’s largest phone carrier with over 700 million subscribers. And ardent followers of Apple news will know that the iPhone 5c has been in many ways designed to target such countries as China and India, the largest battlegrounds of Android dominance. If Apple can successfully infiltrate these fields with the iPhone 5c, then it will be proof indeed that mindful product design and meticulous attention and care to how a product is engineered and manufactured are indeed the ingredients to a winning product.


  • How long should a blog post be?

    Blogging for about six years now, I’ve often asked myself: how long should each post be? And as such, you’ll probably notice that Pixelated Thinking has a wide spectrum of post lengths, from 2000+ word essays, to simple quotes less than 100 words. This probably answers my question – that I don’t exactly know what the perfect blog post length is.

    But thinking over it, I’ve come to realise that, despite its rootedness in the fast-paced world of technology, blogging is fundamentally an art form, a means of writing and expressing one’s thoughts and ideas. And, as we’ve known from thousands of years of world literature, there is no fixed limit to how long a discourse should be. It can be as long as the 1.8 million word Sanskrit epic, the Mahabharata, or as short and lucid as Lao Tzu’s 81-verse Tao Te Ching. Both are incredibly powerful texts, presenting complex ideas and philosophies, yet they’re of two significantly different lengths. This in itself indicates how uncertain the idea of length is on a piece of writing.

    In school, we’re taught to conform to word counts – 200, 500, 2500 words maximum. Anything over, and you’ll lose marks. Whilst this is a good framework for forcing students to get straight to the point and thus structure their pieces rigidly, it can sometimes be quite limiting. And so, the world of blogging, a world where there’s hardly any rules, becomes a virtual playground for us lovers of the written word. But it can also be a curse, bringing the argument straight back to the classroom framework: the freedom to write as much as you like can start to make your work tiresome to read.

    The Internet age has definitely shortened our attention spans. Twitter’s 140 character limit is both a fun way of succinct expression, and a reconditioning tool to shorten our focus ability. And so I think that, in trying to answer this popular question of any blogger, one must look to what humans enjoy most: variety.

    Writing isn’t about numbers, it’s about expressing yourself. So instead of worrying about how long a piece is, rather focus on the content, and on the best way of converting your thoughts into words. Doing so, be mindful of your audience, of their retention rate on your blog, and also of your content spectrum: by shaking things up with a few long-form pieces amongst an array of quick-burst thoughts, you’ll have a lively blog that can generate its own discourse.


  • It’s been a while

    It seems like I’m writing this type of post too often, but I find it a nice way to get back into the flow of writing after a gruelling term filled with coursework and general university angst.

    So without further ado, and without attempting to make any promises about being regular on this blog (since I am, after all, majoring in Procrastination 101), here’s a small update on what I’ve got planned for the next few weeks, time permitting:

    • Reading: The House of Silk by Anthony Horowitz. I’ve been meaning to get into this book for over a year now, but many distractions have got in the way – from university, to other projects, to even other books (I’m looking at you, The Casual Vacancy and The Hunger Games). Horowitz is one of my all-time favourite writers; he, along with J.K. Rowling, really drew me in to reading insatiably, and it’s thanks to their words and love of books and the craft that I have been inspired to pursue this thing they call writing.
    • Writing: I’m still pushing through with the fabled manuscript. Yes, it does exist, and I’ve managed to break past 35 000 words. It’s still very slow-going, and being me, I’ve already got ideas for another book (unrelated to this one). No, I can’t reveal anything about it for a very long time. Hopefully you’ll find out about it soon.
    • More writing: I’ve become fascinated with gothic horror recently, and so I want to try my hand at writing a short story in this realm. Short story writing is always fun; maybe it’s because as humans we’re wired for instant-gratification, and so writing short-form pieces such as these blog posts and short stories are an affirmation-act for my writing life. Whatever it is, I am excited to get back to this type of writing, and also to explore a new piece of fiction other than the manuscript that has occupied much of my writerly life and thoughts recently.
    • Learning: I never stop learning. And so I’m hoping to continue my studies in server-side web programming and database design, in preparation for bigger things in the future.

    Oh, and there will be many films watched between all of the above, and I really hope to write about them on this blog. Here’s a short list of films I’m looking forward to:

    • Now You See Me
    • This is the End
    • Kick-Ass 2
    • Thor 2
    • Sin City: A Dame to Kill For
    • The Wolf of Wall Street
    • … and, of course, The Hunger Games: Catching Fire.

    All for now!